From: Roma Sacra - San
Pietro in Vaticano, © 1995 Elio de Rosa
(The Pontiff ordered the images themselves here, in a suitable place, equal to the size of the temple of Peter prince of the Apostles. In the year 1847, the first of his pontificate, while he was curator of the Vatican Works Lorenzo Lucidi)
From: Works on the Facade
of St. Peter's Basilica, Vatican Polyglot Press, 1989
Some authors, among them Bonanni, Torrigio and Mignanti, attribute the two statues to Mino da Fiesole; Vasari, however, believes that they were the work of Mino of Reame, while Muntz claims that they are by Paolo Romano. With the continuation of the Vatican Basilica, begun in 1502 and completed in 1612 with the construction of the imposing facade by Maderno (1556-1629), the statues were maintained in an analogous position, but brought further to the front of the new structure.
During the pontificate of Alexander VII (Fabio Chigi 1655-1629), the architect Gianlorenzo Bernini finished the work on St. Peter's Square, with his great sloping entrance to the threshold of the Vatican Basilica; in 1666 he had completed the famous colonnade after nine years of intense labor. Bernini himself adapted the two statues of Peter and Paul at the foot of the stairs, even though their dimensions were much smaller than the new architectural complex of the Basilica demanded.
The Current Statues
It is known that the plaster model used for the execution of the marble statue by Carrara as well as the plaster of the statue of St Paul, were given by Pope Pius IX to the church of St Carlo ai Catinari, where it was placed in a niche in the apse, on the left when facing the high Altar.
The figure of the apostle has a noble bearing, with the 2.79 meter long sword (which has lost its original gold-plating) in his right hand; his left holds a book. The pointed beard finishes off the especially expressive face; the drapery, with classical folds, is unrestrained and balanced. On the book is the inscription, in Hebrew letters of the fourteenth-fifteenth century style, reading: "I can do all things in him who strengthens me", recalling the text from Paul's Letter to the Philippians, chapter 4, verse 13.
In the statue of St Paul, Tadolini, faithful heir and interpreter of the principles of Canovian art, seems to echo the sculptural renewal which, beginning in Tuscany, also caused the Roman artistic world to strive for a more faithful representation of reality.
The author of numerous works, funerary and honorary as well, Tadolini is responsible for the statue of St Frances de Sales (founder of the Visitation Order), which is located in the tribune of the Chair in St Peter's, as well as for the design of the Monument of Pius VI, Braschi (1775-1799); the large statue of the Pontiff is located in the central nave of the Vatican Grottoes, the "Pieta" is in the cathedral of Terracina, and the two symbolic statues of Humility and Charity, originally a part of this Monument, are in the Pontifical Lateran Seminary.